‘Superstar’ Review: Another Film, Yet Another Misstep

Superstar Movie Review
Courtesy: HUM Films

The interval is the much-feared business prerequisite which assembles superfluous weight on scriptwriters and directors. Film analysts give it another curse of 2nd half. Mahira Khan’s recent, Superstar experiences this revile.

Far from a curse, theater veteran and TV virtuoso Ehtheshamuddin’s debut movie Superstar isn’t severe and profound enough to be known as a show. Nine years is a long time to discover your room on the large screen, yet the filmdom of Mahira has been overshadowed after another by one horrible selection of script. She has been picking half-baked contents so precisely and for such a long time that every one of these missteps currently looks like deliberately created choices, not unfortunate trips. Superstar isn’t any unique.

Superstar
Courtesy: Media Spring

She performs a fighting actor (Noori) from the bhaaati door running into her crush and superstar (Sameer Khan) during a television advertisement shooting. They manage to strike chemistry and fall for each other, regardless of the undeniable class distinction.

The tale then revolves around the current film industry’s strong realities and attempts to explore the fight of being a superstar against the fight of being an actor in the context of the current socio-political setting.

Mahira plays a lot of characters within one personality by playing an actor on the screen and that’s incredible. The little odds and ends of Noori’s reel life, especially the ones towards the subsequent half are adequate to demonstrate that Bin Roye star has developed as an on-screen character yet by the day’s end, Noori doesn’t remain with you longer than those minutes.

One more day under the sun and another film that makes Mahira resemble a fantasy with huge close-ups however nothing solid, grasping and in particular emotional enough to stand her ground.

On the other side, Bilal Ashraf was cast solely for his tall and muscular physics, adding a lot to his Sameer personality. His body motions are still comparatively rigid and wooden expressions as the chair on which you have to rest right now, but from his first appearance in Janaan, he has enhanced miles. Also, the moves on the tune Dharak Bharak does him no favors. He appears to be incredibly firm and awkward during the tune.

The cast is what makes Superstar worth your time!

Ali Kazmi as Shaan surpasses everybody in each edge he showed up. Again and again, he unmistakably demonstrates that he has his very own class.

Javed Sheik as Sameer’s dad has very restricted screen time, but he did well as normal, particularly when sharing the screen with ever-green Nadeem Baig, which surely will remind us of Pakistani cinema’s golden age.

Throughout the movie, Nadeem Baig as Agha Jaan inspires. Unlike other directors, Ehtedhamuddin did not use himself as a prop, but as a suitable personality, showing why he is still a superstar. After over 10 years, we have seen Nadeem Baig lip match up a melody that makes you feel nostalgic.

Alizeh Shah, a sparkling 18-year-old, is the fodder that will supply laughs to the Eid audience. She claims the most engaging and connecting with snapshots of the film with her faultless comic planning. Albeit only a sidekick, her character of Chutki has a well-characterized curve that makes up for a great deal of other character travels that happen either too suddenly or without reason.

As for the technical elements, it’s a blended plate again. Without being mesmerizing, cinematography seems appropriate. Despite some very creative blocking decisions made by Ehtesham and related events within Pakistan’s film industry, Superstar is a film that is faulty on paper to repeat the same ancient tale. Try not to mistake it for being a terrible story, truth be told, it has a similarity to a story which is a major ordeal by Pakistani guidelines. The film as a whole, however, is uncertain about what it wants to be, and that maybe its curse.

Does that mean it won’t be a hit for Superstar? Not at all. The two leads will rope the crowd in the sets, songs, and real efforts and considering the adventure media outlets has made and is making, that is a success all alone.

Verdict: It’s a one-time Eid watch.

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